Indiana University Press (24)
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3 Continued Fighting

Malcolm L. Fleming Indiana University Press ePub

On the hill above Margarethenkreuz was this Forward Observation unit which was helping the Artillery direct its fire on the towns below. Particularly at night they would spot enemy guns by their muzzle blast and phone their locations to our own batteries. Here was my first birds-eye view of war, the so-called front lines being several miles distant. The fellow showed me what towns had been taken and what had not. Big puffs of smoke and dirt would occasionally jump up over the “had nots.”

Near Königswinter—21 March ’45

The 86th Chemical Mortar Battalion assigned to 1st Div. for close infantry support, here firing 4.2 in. mortars about 800 yds. from the front lines.

3 mi. from Oberpleis, Ger—23 March ’45

Eymo 35 mm

This is a frame of a 35 mm motion picture I filmed with an Army Eymo camera. Each one-hundred-foot roll of 35 mm motion picture film we shot was flown to England for processing. Occasionally we got back a test strip, often with critical comments about how we photographers were doing. This is a frame from such a strip.

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1 Battle for the Remagen Bridge across the Rhine River

Malcolm L. Fleming Indiana University Press ePub

Statue of Beethoven amid the ruins of his native city, Bonn. Official pictures of this by Sig C got quite a spread in US papers.

That’s T/3 Kitzero standing there, he’s an army photographer like me.

Less than a block from this statue was the photo shop basement where by match light I located the 40 rolls of size 127 film without which this would have been among the last photos for me.

Bonn, Ger—14 March ’45
Verichrome Film

I have chosen to write in the clipped style of my field notes. “Sig C” means Army Signal Corps.

Partially ruined cathedral of which I was to see many, later. The Germans found them too effective as OPs.

Bonn, Ger—14 March ’45

OPs are observation posts.

Unusual position for a Sherman Tank, but the tanker was hunting an unusual prey. The army, still jittery about the newly won Remagen Bridge, feared the enemy might destroy it by a one-man submarine or floating mines. So that’s what this tanker is looking for. Also searchlights were even used to watch the river by night.

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12 People on the Move following Victory in Europe, May 7

Malcolm L. Fleming Indiana University Press ePub

Part of the lineup waiting to cross a narrow bridge. Traffic was one way at a time and very slow. The VE Day news is out, and many of these people are former slave laborers making a break for it.

Weissenfels, Ger—8 May ’45

Young German farm folk, looking a bit amused at the prospect of having their pic taken. They are stopped at a checking station at the end of town and an MP is investigating their wagonload behind for stowaways etc.

Sangershausen, Ger—11 May ’45

The CIC and Photo Units of 3d Armd. pause for a rest and ration stop on the autobahn to Frankfurt.

Between Sangerhausen and Frankfurt, Ger—12 May ’45

Presumably in VE Day glee, American fighters swarm playfully over Frankfurt.

Near Frankfurt, Ger—12 May ’45

Wreckage in the streets of Frankfurt am Maine. The nuns wearing packs and carrying suitcases appear to be on the move to some more habitable city or place of greater need.

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17 Where Are the German PWs?

Malcolm L. Fleming Indiana University Press ePub

Huge PW enclosure. Some 2,600 are being held here. Their two meals a day come from a supply of regular German Army rations captured in a nearby warehouse.

On Leipzig-Frankfurt Autobahn—16 May ’45

GIs make civilian prisoners clear them a ballfield. The Germans and Poles were caught stealing cigarettes and other rations. MG had them locked up till this better use was found for their time.

Neuhaldensleben, Ger—21 May ’45

“MG” means Military Government.

German PWs sweep the street in front of the new 102 Inf Div CP. The modern building was a German Finanzamt or Fiscal Office.

Gotha, Ger—2 June ’45

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18 Entertainment and Rest

Malcolm L. Fleming Indiana University Press ePub

The whole USO troupe out for the finale number. The stage was especially built for this show, the usual showplace being inadequate for the expected crowd.

Regensburg, Ger—5 August ’45

Bob Hope is busy autographing. He seemed tired to me, but got his usual barrel of laughs from the fellows.

Regensburg, Ger—5 August ’45

Full house of GIs at the evening circus performance. An afternoon show is given for civilians, but they think it rather third rate because many performers are not German. The fellows, though, keenly enjoyed it all. As with most of the acts this one is a family, the Burketts. It’s a contortionist stunt known as the Elastic Act. The father, negro, and mother, white, are shown here holding their heavily tanned daughter split between. The daughter inspired many a GI whistle.

Gotha, Ger—24 June ’45

One of the formidably enclosed courtyards in the Oberhaus. The moat and bridge approach to this part appear on the left. Once a Roman fortress, the place recently was a favorite partying spot for Hitler until the US Army took over and converted it into a rest area for GIs. I enjoyed some rest time here.

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Texas A M University Press (13)
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Leaving a Water Legacy for Texas

Ken W Kramer Texas A&M University Press ePub

Ann Thomas Hamilton

THE color of the water was like fresh-brewed orange pekoe tea—clear dark amber. The river was originally named Lumbee, from an Indian word meaning “black water.” Upon submerging my wiry little white body into the slow-moving current, my skin instantly took on a brown tone—the same color as that of the Lumbee Indians who long ago inhabited North Carolina’s Inner Banks region. One of my fondest childhood memories was of swimming in the river with my sister and cousins during warm summer days when we visited our grandparents in Lumberton in eastern North Carolina. Lumberton, the town where my mother was born, was founded in 1789 and named after the river. I truly believe my love affair with the mystery of naturally flowing water came from those sublime summers in that river some sixty years ago.

Because Lumberton was near the Carolina coast, the family would also visit a beach near Kitty Hawk, North Carolina, the site of the first airplane flight by Orville and Wilbur Wright. Of course, this historic site did not mean much to a little girl who loved the water. I just leaped into the Atlantic Ocean with great abandon without any understanding that the water from the Lumber River on the Inner Banks permeated downstream through the rich coastal marshes and wetlands before becoming a part of this vast ocean on the Outer Banks. It was the crashing waves, the sand, the salt filling my nostrils, eyes, and mouth that captured me as I floated tirelessly day after day in the invigorating surf.

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Texas Rivers and Tributaries

Ken W Kramer Texas A&M University Press ePub

I HAVE photographed the living waters of Texas for over twenty years, but at the beginning of my photography career I was more interested in places like the North Rim of the Grand Canyon and the mysterious slot canyons of southeastern Utah. I took pictures in Texas only when I stopped to rest during the long trips out west. But as the good images piled up, I found the streams and springs of my home state, from the West Fork of the Frio River or the wetlands of Aransas Wildlife Refuge to the Neches River bottomlands and the watery canyons of Big Bend Ranch State Park, to be the most extraordinary places of all. And I know there is much more to be found on private land, like a waterfall I have seen in deep East Texas that has never been photographed and doesn’t even have a name.

Yet just as Edward Curtis photographed the “vanishing Indians” one hundred years ago, I sense that I am photographing the vanishing waters of Texas. The Rio Grande in Big Bend is now more like the “Rio Poco,” the Middle Fork of the Pease River has dried up, and Jacob’s Well in the Hill Country stopped flowing for the first time in 2000. Larry McKinney, in his 1973 essay “Troubled Water,” states that “of the original 31 large springs (in Texas), only 17 remain. None of those springs stopped flowing because of natural causes.”

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The Bays and Estuaries of Texas An Ephemeral Treasure?

Ken W Kramer Texas A&M University Press ePub

Ben F. Vaughan III

CHARLES KRUVAND’S coastal photographs in The Living Waters of Texas are works of art, but even they are inadequate to portray the riches all Texans have inherited through the public ownership of the bays and estuaries along our Texas coast. My fond hope here is to explain how the health of Texas bays and estuaries and their freshwater inflows are so precious to me, to the fifty thousand Texas members of the Coastal Conservation Association (CCA), and to everyone. So important indeed are these resources that we dedicate ourselves unstintingly to their continued maintenance and future enhancement.

Our interest and our dedication may have stemmed from our personal experiences. Perhaps it started with the toe in the water, a gull’s cry, a whelk’s moan, a perch’s nibble, or a chandelier-like spray before the bow of a boat running into a southeast breeze. Such indelible impressions are memory makers not easily forfeited to the political expediency demanded by the shortcomings of human imagination.

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Falling in Love With Bottomlands Waters and Forests of East Texas

Ken W Kramer Texas A&M University Press ePub

Janice Bezanson

I FELL in love with East Texas bottomland forests while trying to protect them. for most people it’s the other way around: they love them first, so they want to keep them from being cut down, paved over, turned into pasture, or flooded by reservoirs. But I got involved in conservation issues as an activist first. The late Ned fritz, legendary for recruiting people to do things they didn’t know they wanted to do, coaxed my husband and me into representing Texas Conservation Alliance, then called the Texas Committee on Natural Resources, in permit hearings against a proposed reservoir on Little Cypress Creek in the Cypress Creek Basin in northeast Texas. This boondoggle project wasn’t needed for water supply and would have flooded 14,000 acres of wonderful forest wildlife habitat.

A glance at history suggests that I’m not the only one who loves bottomlands. People have always lived close to rivers, seeking the basics of life—water, food, transportation, and shelter—from the river and the fertile land it nurtures. Rivers are the essence of the southeastern United States—land formed by the ebb and flow of ancient beaches and shaped by abundant rainfall, rivers, and the passage of time. Small ephemeral streams bubbling up from drift sands become creeks that converge and gather in ever-increasing volume. They become winding rivers that spill across wide floodplains and spawn diverse bottomland forests. These rivers and their “bottoms” capture the imagination of poets and musicians and the hearts of settlers who revel in their beauty and mystery and abundant life.

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Hooked on Rivers

Ken W Kramer Texas A&M University Press ePub

Myron J. Hess

I LOVE being outdoors. Those rare times when I am able to step back from the frenzied pace of everyday life and feel in rhythm with nature give me an incredible sense of peace, of calmness. And, if you throw in a flowing river or stream, I can get close to achieving a state of nirvana. The love of nature came early. The appreciation of the special role of flowing streams developed a bit later.

As the youngest of seven children growing up in Cooke County in rural North Texas near the Oklahoma border at a time when TV watching was still an occasional event and computer games were science fiction material, I spent the bulk of my early childhood outside. When my siblings were home, I followed them around as much as they would let me. When they had all started school and I was still at home, the yard became my preschool and kindergarten classroom. Fortunately for me, farmyards can be incredibly interesting places: chickens and ducks to observe, ground squirrels and lizards to stalk, insects and toads to catch, and bird and mouse nests to discover. I think my dad was relieved to see me start school so he didn’t have to spend so much of his time answering my questions about what I had found or seen, and he could get back to farming full time.

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University Of North Texas Press (15)
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Photographs

Byrd M. Williams IV University of North Texas Press ePub

WALKING INTO THIS ARCHIVE is to walk among the dead. Many I knew and many I am just getting to know through their words and faces, but now I am one of the last remaining survivors in this Borgesian library of images. It was fiendishly comical when I noticed the irony of what has taken place: Middle class transubstantiation. Instead of bread and wine turning into the body and blood of Christ, four generations of my forebears’ bodies and blood have turned into paper and silver.

For me, photography is about death. It didn't used to be, but I'm sixty-four and everybody in the room is dead and I can't remember why I was so obsessed with saving their lives in two-dimensional facsimile. Perhaps all these years I have been trying to nail down what Ian McEwen refers to as our brief spark of consciousness.

It was never about the money; I could have done better mowing lawns. There was always this urgency about it: save all historic buildings, remember all the faces, stand on all the street corners, save everybody's toilet, share my experience with posterity, I was alive goddammit.

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Non-People

Byrd M. Williams IV University of North Texas Press ePub

Ancient Egyptian bar vs. modern French Bar

I LOVE THE PUBLIC AND PRIVATE ENCLOSURES that humans occupy. The places where they sleep, eat, and work say more about humanity than a facial portrait can. For decades I have found comfort in mapping these interior spaces for commissions and curiosity. The preponderance of this large body of work is mostly personal images that are less art than artifact. More like utilitarian stamp collecting.

I started photographing my grade school friends’ rooms in the 1950s, and this subject matter is still my main work today. All three of my photographic ancestors made time exposures of the rooms and spaces they encountered, one of the first being a hardware store in Gainesville, Texas, in the late 1880s.

Sometimes there are people in them, both blurry and sharp, and sometimes they are devoid of life. I tend to like the lifeless ones best because then the room gets to speak for itself. These enclosures often live longer than the people who worked and lived in them and sometimes the photographs live longer than either, as stated by art critic Janet Tyson:

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People

Byrd M. Williams IV University of North Texas Press ePub

Title page to Byrd III photograph album

THE FACES THAT INHABIT ONE'S LIFE are also connected to a mutually shared experience, whether it is an insider that occupies the fabric of your reality or a transient in and out of your orbit like a waiter in a restaurant, never to be seen again.

All of the Byrd Williamses made portraits for a variety of reasons. Sometimes as a hired hand for vanity, sometimes for editorial information, but much of the time it was for nothing. For lack of a better term, it was for art.

Shortly after arriving in Gainesville, Texas, my great-grandfather set about photographing people he encountered. An untrained but enthusiastic amateur, his work included carefully executed records of local acquaintances, an endeavor common to the new “roll film” era photography was entering.

By 1885, Granddad had taken up the hobby and was encouraged by earning extra money shooting portraits of locals across the range of hamlets between Fort Worth and the Red River. Small communities within wagon distance of Gainesville that featured churches and the occasional town square such as Myra, Era, Muenster, Henrietta, Sanger, Bowie, and Whitesboro. Wherever he lived, my grandfather continued making two-dimensional replicas of people's faces for the rest of his life.

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Landscape

Byrd M. Williams IV University of North Texas Press ePub

Self portrait on college notebook, Austin, Texas. BYRD II 1903

“The edge of the photograph dissects familiar forms, and shows the unfamiliar fragment. It creates the shapes that surround objects. The photographer edits the meanings and patterns of the world through an imaginary frame. This frame is the beginning of this picture's geometry. It is to the photograph as the cushion is to the billiard table.”

–JOHN SZARKOWSKI

Byrd Williams II began to photograph the landscape around the turn of the century. When he finished his bachelor's degree in Austin, he took a number of survey and construction projects around the west in search of permanent employment. This could entail any number of duties from drafting to site photography of project progress. During this period he voraciously photographed the American landscape with an eye for visual starkness and geometric efficiency.

Letter From Mary Alice Williams to her son Byrd II

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Studio

Byrd M. Williams IV University of North Texas Press ePub

Dad's Westcliff Studio

DAD WORKED HIMSELF TO DEATH for 50 years in a Mom and Pop style photographic business. I was there for 30 of them. Our family was of the secular variety whose devotional piety was not directed toward any religious enterprise but rather to that postwar American work ethic that drove the entrepreneurial mental prison of the 1950s. We were in the evidence business. A wedding happened and for $59.95 you could buy the artifact proof from us. Indeed, participant testimony was piffle compared to full-color documents filled with aunts and uncles and in-laws and drunks. Same with the portrayal of family happiness. Stiff topographical maps of faces with awkward smirks in bad suits that displayed, however sterile, the family unit intact. One wonders what posterity will think of our culture 500 years hence. All 300,000,000 of us in the same J. C. Penney's uniform, the same sneer, the same phony grouping of eternal oneness. It may be a good thing that the Egyptians, Greeks, or Romans had no Olin Mills. These records of our appearance, our existence, even our sentience will become our headstones.

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