158 Slices
Medium 9781902375014

4.3 Concessions and variations

Low Sui Pheng Chartridge Books Oxford ePub


Legal implications for the construction industry

4.1 Introduction

Traditionally, a client’s expectations with regard to quality in construction works are ensured and upheld by building contracts. With the recent emergence of ISO 9000 quality management systems, however, the definition and assurance of quality have taken on a new dimension. Many contractors have since applied quality management systems in their organisations without understanding its intricate relationship with the building contract used. This chapter examines the likely conflicts and compatibility between Standard Forms of Building Contract and quality management systems. An understanding of the possible legal obligations that may arise from adopting a quality management system contractually will help contractors and clients protect their interests when defects arise. In addition, many contractors are in the process of establishing their quality management systems to increase their competitive and bidding edge.

This trend has raised questions as to the application of quality systems to Standard Forms of Building Contracts in the construction industry. There is a tendency for both the Quality Manager and Construction Manager to consider quality systems and their associated legal obligations separately from building contracts. This may be acceptable when the quality system is still in its infancy stage. As the quality system matures, however, there would be unavoidable interaction between quality systems and contractual/legal obligations at different levels, especially when there is evidence of reliance by the purchaser on certification such as ISO 9000.

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Medium 9780253009913

6 - Unstable Landscapes of Property, Morality, and Status

Fehérváry, Krisztina ePub

EARLY IN THIS book, I recounted an incident in which a university student from Dunaújváros nodded out the window of our bus at a silver car speeding by and remarked, “If everyone had a car like that, that would be normal!” In one breath, this young man summed up a complex mixture of expectation and disappointment. As with widespread invocations of a counterfactual “normal” in Hungary, he expressed the socialist middle strata's frustrated expectations for the kind of life they had assumed would be ushered in by democracy and a free market. Simultaneously, he delineated places and kinds of behavior in Hungary that conformed to such expectations. His insistence that “everyone” was entitled to a car like that also highlighted the fact that most people were still sitting on the bus. At the same time, these people could see that others—often inexplicably—enjoyed not only “normal” material goods and environments but far more lavish ones. Just as disturbing was the emergence of a visible homeless population as well as the regular sight of impoverished pensioners selling small, straggly bouquets of daisies on street corners.

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Medium 9780253006875

1. Talking to People about Art

Joanna Grabski Indiana University Press ePub


Without thinking about it deeply, you might not realize that talking to people about art is a practice fraught with difficulty. First, there is the fact that visual art especially, but also music and performance, deploy form to produce an effect in ways that often defy authoritative explanation. Art takes you to places filled with thoughts and emotions, but by a very different route than you would have traveled had words alone been the vehicle in which you rode. Indeed, it sometimes seems that art exists to provide a landscape of exploration and analysis in which words work only with the greatest deliberation, and then at the cost of losing some of art's provocative potency. When you talk to people about art, be they consumers or producers—audiences or artists—you face the problem that words can be clumsy, obfuscating, diffusing tools with which to record the making and experiencing of visual culture. It might be easier to use words to examine the things that exist around art, such as artists’ biographies, influences on their work, the influence they have on others, the ways they manifest technique, or the goals they seek to articulate, though these topics too impose obstacles and are not as straightforward as they might seem. But exploring the broad world of art, from artists’ backgrounds and abilities to the effects that artists seek to create and the experiences that audiences gain from art, is vitally important if we are to comprehend expressive culture's depth of resonance in the human condition and its relevance to all human affairs. So we must seek ways to use words that foster understanding of a creative domain that often seems anathema to verbal exposition.

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5.7 Contractors’ site staff

Low Sui Pheng Chartridge Books Oxford ePub


A case study of ISO 9000 in large scale projects

5.1 Introduction

Although quality management systems were introduced more than a decade ago in the construction industries of the developed countries (in the United Kingdom, for example), the implementation of quality management systems in some less developed countries is still a relatively new phenomenon.

While quality management systems are now slowly making their presence felt in the less developed countries, there has been a lack of study of the problems faced by practitioners in implementing quality management systems for building projects during their infancy stage in the industry. This vacuum was, likewise, felt in the more developed countries like the United Kingdom when quality management systems were first introduced to their construction industries. This lacuna at the infancy stage means that the lessons and experiences learnt from implementing quality management systems in one particular building project are not necessarily transferred to benefit other projects. Apart from filling this vacuum, the aims of this chapter are to:

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Medium 9781607321750

Chapter 4. Cooking Meat and Bones at Neolithic Çatalhöyük, Turkey

Sarah R. Graff University Press of Colorado ePub

Nerissa Russell

Louise Martin

In most societies meat is a highly valued food. In some cases, meat is rarely consumed except at feasts and sacrifices (e.g., Bloch 1985; Gibson 1985; Grantham 1995). In others, at least some meat is needed to make a “real meal” (Descola 1994; Douglas 1971). Either way, meat marks particular consumption events as more substantive than others. Moreover, many have noted that in addition to meat per se, fat, especially animal fat, is frequently much sought after and represents wealth and abundance (Abrams 1987; Bloch 1985; Fletcher 2003; Hayden 1990; Outram 2001; Speth and Spielmann 1983). Such highly valued food items are likely to be deployed in the construction and maintenance of social units and values. In this paper we use preparation and cooking techniques applied to meat and animal fat at the Neolithic site of Çatalhöyük, Turkey, to examine the nature of meals in different social contexts.

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