12 Chapters
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Seven Autumn

Moya L Andrews Quarry Books ePub

Pronounced:

ah-NEM-oh-nee

Also known as:

windflower, lily-of-the-field

Family:

Ranunculaceae

Colors:

pink, white, rose

Zones:

4–8

Height:

2½–5 feet

Description: There are approximately 120 species of perennial types of anemones, native mostly to the North Temperate Zone, often to mountainous regions. Leaves are usually more or less divided and form a ring below the flowers, which are held high in umbels on stiff stems. Their sepals are the showy part of the flower and there are no actual petals, but many stamens and pistils. The fall-blooming tall anemones are usually referred to as Japanese anemones (A. japonica) and are single pink flowers that were first found growing near Shanghai by Robert Fortune, a nineteenth-century plant explorer. The current name derives from the fact that they grow well in Japan. Some are hybrids and spread by rhizomes to form large clumps. ‘Honorine Jobert’ is white, ‘Queen Charlotte’ is a semi-double pink cultivar, and ‘Margareta’ is a double pink. A. tomentosa var. ‘Robustissima’ is the most hardy and adaptable.

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Two Work in Progress

Moya L Andrews Quarry Books ePub

Flower gardens are reflections
of their creators.
A garden, as well as the gardener,
is always a work in progress.

Each garden is unique, and it is never the same—day by day, season by season, year by year. Part of the joy of creating a garden is the continual sense of anticipation that comes as a result of partnering with Mother Nature, who is full of surprises. The process of raising flowers is itself instructive. Claude Monet said that perhaps he owed his becoming a painter to flowers. We expand our perceptions of colors, forms, shapes, perfumes, and permutations and combinations. We keep learning about design and elements of style through the medium of gardening. Change is inevitable. Established trees are uprooted by storms and shade gardens are transformed into sun gardens. Small trees mature and sun gardens are engulfed in shade. Water restrictions force us to investigate drought-tolerant plants. A visit to Vita Sackville-West’s garden at Sissinghurst, in England, moves us to create our own white garden. Whatever shifts in motivation and circumstances occur, there are perennials we can find to create the effects we need. We continually augment our collection, redesign beds to combine plants more effectively, use plants in new ways to avoid or compensate for past mistakes. Since perennials are persistent and forgiving plants, we get not only second chances but innumerable chances. The continuity aspect of working with perennials, in terms of both their lifespan and the recurrence of opportunity, is irresistible.

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Appendices

Moya L Andrews Quarry Books ePub

BOTANICAL NAME

COMMON NAME

Aruncus

goat’s beard

Astilbe

hybrids

Bergenia

hybrids pigsqueak

Chelone

turtle-head

Cimicifuga species

bugbane, snakeroot

Eupatorium fistulosum

joe-pye weed

Filipendula rubra

queen-of-the-prairie

Hibiscus moscheutos

swamp mallow

Iris ensata

Japanese iris

Iris pseudacorus

yellow flag iris

Iris versicolor

blue flag iris

Lobellia cardinalis

red cardinal flower

Myosotis sylvatica

woodland forget-me-not

Tradescantia

spiderwort

Trollius europaeus

globeflower

BOTANICAL NAME

COMMON NAME

Achillea

yarrow

Amsonia tabernaemontana

eastern bluestar

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Three: Bringing Flowers Indoors

Moya L. Andrews Quarry Books ePub

She has taught us that you should be as careful in
choosing a vase for a flower as a dress for yourself,
and she has widened the term “vase” to include
almost anything that is, in itself, beautiful
and capable of holding water.

—Beverly Nichols, foreword to Constance Spry,
How to Do the Flowers

One of the enduring pleasures of having a garden is that we can step out of the door of our house and there it is. The garden gives us a special place to go, a break from the routine, a refuge from anxiety, solace in times of sorrow, and a soothing balm for our stress. It is our creation and yet it nurtures us even more than we nurture it. When we create a garden we create something so personal that it truly is like a part of us. We may even be able to understand why someone once said, “I can imagine leaving my spouse, but I could never abandon my garden.”

No one else knows our garden the way we do. We know where to look for the first crocus each spring. We remember the provenance of our plants, who gave them to us or where we bought them, and the day we planted them. When we can’t sleep we let our mind drift around the garden and visualize what will bloom next, in our mind’s eye. Oh, what lovely gardens we create in our dreams.

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Five Spring

Moya L Andrews Quarry Books ePub

Pronounced:

er-AN-this

Also known as:

winter aconite

Family:

Renunculaceae

Colors:

yellow, white

Zones:

3–7

Description: There are about seven species of these low-growing perennials native to Europe and Asia. The leaves are palmate and dissected and look like a frill of green beneath the flowers, which are made up of five to eight sepals. The actual petals are modified into small nectaries. Though the small tubers are sold in bulb catalogs, aconites are best propagated by division.

Cultivation: E. hiemalis (hi-MAL-is) has sessile 2- to 6-inch-high yellow flowers in early spring, when it blooms with the snowdrops. It can be grown in zones 3–7 but likes cold and thrives in shaded moist sites. Since it is an ephemeral, it should be planted where it won’t be disturbed when it dies down later in the season. It increases over time into colonies, and its acid-yellow blooms light up the landscape even amid patches of late snow during early spring thaws. Put a few little blooms in tiny bottles indoors so that you can admire them up close.

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