14 Slices
Medium 9781607056430

Introduction: The Case for Squares and Rectangles

Amy Walsh C&T Publishing ePub

by Amy Walsh

People often ask us if we get tired of making quilts out of squares and rectangles. The answer is a resounding no! If you love fabric as much as we do, sewing straightforward patterns with simple lines is the most direct and fastest way to get from having yardage to having a finished quilt. Many people think that only beginners sew quilts with squares and rectangles. Not true! When you make a quilt in which the piecing does not give you angst, you are free to explore many possibilities with color, different types of fabrics and prints, different block sizes and layouts, and so on. These quilts can be achieved with a minimum of fuss in terms of materials. You need only the basics, an adventurous spirit, and an open mind.

If we have learned anything in our years of designing and publishing patterns, it is that most quilters have a desire to branch out, explore things outside of their comfort zone, and create works of art that reflect their personality. Janine and I are constantly looking at our environment and auditioning elements for possible patterns. I find, however, that I am more apt to make a pattern out of a variation of something I have seen. In this same spirit, we meet many quilters who express a desire to change patterns. They’ll frequently ask us if we’d be offended if they set the blocks differently or change a square block into a rectangular block. We’re never offended by a “morph” of our designs. In this book, we’ve tried to provide you with not only inspiration in the form of finished quilts but also the tools needed to make these quilts your own. Use the color and design information, as well as the variations provided at the end of each chapter, to make changes as you see fit.

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Medium 9781607052708


Amy Walsh C&T Publishing ePub

by Amy Walsh, 70″ × 70″



I have always wanted to live in a loft in downtown Chicago. I love the idea of escaping the frenetic energy of the streets in a cool, industrial-feeling apartment that overlooks our beautiful city. This is the type of quilt that would fit in perfectly with my idea of the perfect interior of such a home.

The following yardage makes a throw-sized quilt. Refer to the LOFT chart (page 27) for alternate sizes and yardage requirements.

Assorted pastel solids: 10 strips 6½″ × 42″ or 2 yards total

Solid gray: 5 yards for block centers, sashing, and outside borders

Binding: ½ yard

Backing: 5½ yards

Batting: 80″ × 80″


Don’t forget to wash your solids with Retayne (pages 15 and 70)!

From the assorted pastels, cut:

10 strips 6½″ × 42″

Cut each 6½″ strip into:

10 rectangles 2″ × 6½″ (Unit C)

10 rectangles 2″ × 3½″ (Unit B)

Cutting diagram


Each 6½″ strip will yield enough frames for 5 LOFT blocks.

From the solid gray, cut:

3 strips 6½″ × 42″

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Medium 9781607052708

Club Noir

Amy Walsh C&T Publishing ePub

by Janine Burke, 54″ × 72″



I’ve long been intrigued by the dichotomy of nightclubs-dark and sensual, yet loud and lively. This color palette was chosen to reflect that atmosphere: mysterious yet bright.

The following yardage makes a twin-size quilt. Refer to the Club Noir chart (page 58) for alternate sizes and yardage requirements.

Assorted solids: 18 strips 9″ × 42″ or 4¾ yards total or 20 fat quarters

Binding: ½ yard

Backing: 3¾ yards

Batting: 64″ × 82″

We have included cutting instructions for both 42″strips as well as fat quarters.


Cut up just 2 contrasting solids to begin with so that you can construct a test block. This way you can verify the accuracy of your pieces and you can see how your fabrics are going together.

Cutting from assorted solids

From the assorted solids, cut:

18 strips 9″ × 42″

Cut each 9″ strip into:

1 strip 4½″ × 42″; subcut into 3 squares 4½″ × 4½″,
3 rectangles 3½″ × 4½″, and 6 rectangles 1½″ × 4½″.

3 strips 1½″ × 42″; subcut each strip into
2 rectangles 1½″ × 12½″ and 3 rectangles 1½″ × 4½″.

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Medium 9781607052708

Union Station

Amy Walsh C&T Publishing ePub

by Janine Burke, 60″ × 82½″

Once upon a time, I used to take the train into Chicago’s Union Station on my way to work in the morning and then back out again at night. The gray rails represent the train tracks (you probably figured that out), while the palette represents the multicolors of the multicultures who pass through Union Station by the thousands every day.



FINISHED QUILT: 60″ × 82½″

The following yardage makes a throw-size quilt. Refer to the Union Station chart (page 45) for alternate sizes and yardage requirements.

Assorted bright solids: 20 strips 6″ × 42″ or 3½ yards total

Gray: 2½ yards

Batting: 70″ × 92″

Backing: 5¼ yards

Binding: ¾ yard

From each of the assorted bright solids, cut:

20 strips 6″ × 42″

Cut each 6″ strip into:

3 strips 2″ × 42″

From the gray, cut:

40 strips 2″ × 42″

Union Station is constructed by making strata or strip-pieced units. You will make a total of 20 stratas, 1 with each accent color.

Strata of 2 gray strips between 3 accent strips

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Medium 9781607052708


Amy Walsh C&T Publishing ePub

by Amy Walsh, 78″ × 78″



I came across this simple little pattern one day while tooling around the streets of I downtown Milwaukee with my sisters. This brick inlay was on the side of an old public school building we drove by. I of course immediately hauled out a napkin from the bottom of my purse and furiously began to sketch it out—an action that nets me no end of laughter from my loving siblings. And here it is, years later, as one of our favorite patterns. This quilt literally lends itself to any color palette that you may be hankering to work with. The bright blue squares can be subtle or contrasting—either looks smashing. Here is a perfect opportunity to haul out your stash and see what inspires you!

The following yardage makes a full-size quilt. Refer to the Deco chart (page 36) for alternate sizes and yardage requirements.

Assorted green, gray, and taupe batiks: 33 strips 6½″ × 42″ or 6¼ yards total

Blue or teal batik: 6 strips 2½″ × 42″ or ½ yard

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