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|Jed McKenna||Wisefool Press|
“Behold yon miserable creature. That Point is a Being like ourselves, but confined to the non-dimensional Gulf. He is himself his own World, his own Universe; of any other than himself he can form no conception; he knows not Length, nor Breadth, nor Height, for he has had no experience of them; he has no cognizance even of the number Two; nor has he a thought of Plurality; for he is himself his One and All, being really Nothing............See All Chapters
|Rod Davis||The University of Chicago Press||ePub|
ELVIS AND DR. KING
Out of Jackson I took Highway 3 north to Yazoo City. The moon alongside the Yazoo River was only a sliver, and a thick lowland fog made the countryside seem like a Yorkshire moor. Off to my left lay the Delta National Forest and Panther National Wildlife Refuge but all I could see were clumps of roadside mailboxes and the occasional porch light. I pulled to the side a couple of times to check my map. I got on a long stretch of blacktop as the mist cleared, and in the dim moonlight the moor had become an enchanted forest, a verdant kaleidoscope, the kind of place in which apparitions might beckon at the end of a silver spoon hanging from a red string. What appeared for me was the back of an old green Ford pickup traveling without any lights and not much speed. I braked hard, swerving into the passing lane to miss it.
Soon I began to see a glow of yellow light to the west, and then I could smell what I’d been watching for miles grow out of the horizon: a big chemical plant along the river, smokestacks coughing out flames like hell’s own dragons. Texas to Florida, the rural South has become home to giant backwoods industrial plants, refining chemicals or sugar or petroleum, turning timber to pulp to paper, making defense parts and plastics. It was the New Plantation Economy. It doesn’t buy slaves these days; it pays wages. It substitutes bank loans for chains and it admits whites. Prefers them. Part of the illusion. Black or white, though, everybody drinks the water; everybody breathes the air. Everybody gets the cancers.See All Chapters
|James Kalbach||O'Reilly Media||ePub|
"Less isn't more; just enough is more."
Navigation provides the narrative through your site. It's the story people follow to get the information they want. If the navigation concept is your premise and the site structure is your plot, you start telling the story with page layout. Some of the same principles of writing a good story hold true in designing navigation:
Focus on one idea per web page.
Keep extra details to a minimum.
Hold the user's attention.
Use visuals to enhance.
Ultimately, you want to create a flow in navigating through the entire site. In terms of page layout, this means you have to consider how your system of pages varies the position of navigation, labels, and function from page to page. A significant part of orientation while navigating is about how pages change from one to another, referred to as transitional volatility (see Chapter2). Layout plays a large role in creating this desired sense of movement through a site, in addition to a page's labels and text.
Within the overall site development process, laying out pages proves to be a critical phase. It's at this point that people react to the designmore so than at previous stages. When the page layouts start to appear, conflicting perspectives from various project members become apparent. A systematic approach helps avoid unnecessary debates based on personal opinion and keeps your story on track.See All Chapters
|Robert Earl Hardy||University of North Texas Press||ePub|
WITHIN A FEW YEARS, THE guitar became for Townes Van Zandt the key to the form of expression that was to become his life’s work. Learning the instrument and playing and singing along with the radio and with records quickly became for him something more than just entertainment. Once he’d learned “Fraulein” for his father, he began diligently soaking up the music around him and seeking out more.
“My musical influences were Elvis, Ricky Nelson, Jerry Lee Lewis, Johnny Cash, and the Everly Brothers … it started off with country, then Elvis and those guys …” Van Zandt said.1 Later, he started listening to jazz and blues, then to folk music. But his grounding was in the great, vital melting pot of country and western and early rock’n’roll that bubbled with such creative fervor in America in the 1950s and early ’60s. Townes had been absorbing it all with great interest and enthusiasm since he was a child and would ride with his father as he drove across the countryside visiting the oil fields, listening to Lefty Frizzell, Ernest Tubb, Hank Williams, and Roy Acuff on the car radio. According to Van Zandt, while Elvis had inspired him to take up the guitar, “In the long run, Hank Williams and Lefty Frizzell probably inspired me more, they probably went in deeper to my consciousness.”2See All Chapters
|Christopher Hiller||Bleeding Edge Press||ePub|
AngularJS is excellent at helping you write CRUD (Create, Read, Update and Delete) applications. Its tools, abilities and limitations lend itself to this common scenario. For example, the databinding ability of AngularJS is specifically tailored to allow for the extremely easy modification of models and data sets.See All Chapters
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